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SHAPESHIFTER

SHAPESHIFTER

$2,400.00Price

With great control comes unlimited great tone. There are can be many subtle differences between two great amps, sometimes there can even be large differences between two of the same vintage amp, and those changes are baked in, only to be changed with a soldering iron.. Unless those variables were all on the faceplate to begin with The Shapeshifter is your guide to British tones, classic and modern.

Currently accepting orders for December delivery
SKU: SHIFTERV1.0

MODE

  • in MODE 1 the gain controls operate like a "jumped plexi"

  • in MODE 2 gain A is a traditional gain like that of a JCM-style amp, and gain B allows you to modulate the gain in the middle of the preamp

  • K1 and K2 are boosts on the first and second gain stages respectively, you can boost mids and highs or boost all frequencies with a robust low-end. These are hugely influential on the gain structure of the amp.

  • Bass - Mid - Treble: Standard controls with an unexpected large range, don't be afraid to turn these knobs...

  • Shift- Allows for a boost in the Hi-Mids and/or Lo-Mids

  • Pre-Vol- A volume control after your preamp, this is the standard "master volume" on most amps

  • Depth- an NFB dependent low-end boost

  • Presence- an NFB dependent treble boost

  • NFB- Our favorite control on this amp, this controls the Negative Feedback, a key component to how any amp sounds and feels. Large amounts of NFB will tighten up the amp while rolling off the high-end sizzle, whereas small amounts will let the preamp through in all its harmonic glory, at the expense of possibly getting a little wooly and or harsh. Once you have this control, you'll wish all your amps had it...

  • POST MV- This master volume control happens after the preamp, effects loop, and phase inverter, controlling your signal right before it hits your power tubes. This allows you to push your phase inverter hard, getting a lot of growl that used to be associated with the power tubes, without the volume usually comes with it.

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